In this episode of Warp Drives, Dave and I explain why the podcast currently features 100% less driving. Turns out there’s a reason why people don’t record podcasts in cars, and that’s because it sounds terrible. We’ll keep the name Warp Drives and maybe you’re the one driving.
We start off with a discussion of the film Sleight, which is in theaters now. It’s the story of a young man trying to support his younger sister using sleight of hand and drug dealing. Both of those worlds collide to create an awesome superhero movie. Enough with lab accidents and radioactive spiders–it’s time for a fresh take on the hero origin story.
We also talk about Seanan McGuire’s book, Every Heart a Doorway, which is a delightful-yet-difficult story set in a school for children who have returned from various fantasy lands. It’s a great tale that was short enough to leave us wanting more. Luckily, there’s a sequel/prequel coming out in June. You can preorder Down Among the Sticks and Bones now.
Dave talks about PodCastle’s recent Bonnie Jo Stufflebeam story Needle Mouth, narrated by Setsu Uzume (both of which, by the way, have fabulous names.) And I take the opportunity to plug my own PodCastle flash piece, How to Survive in Room 105.
Then, on the SF Dustup of the Day, we talk about Captain America’s Secret Empire Run and what retconning Captain America as a Hydra agent means in a year that’s shaping up to have way too many fascists in it already. Is it tone-deaf to yank away hope that arrives in the form of a Nazi-hating, Hydra-hunting hero who blushes at swears? Spoiler Alert: Yup. It is.
Warp Drives Episode 4: Galactus, Licker of Worlds
Every Heart a Doorway is the story of a school for children who have come back from magical worlds and who, in their right mind, is going to turn down a story about a school for kids who don’t fit in elsewhere? We all want to find that place where we can be accepted for who we are, instead of being forced to conform to some tyranny of the majority version of ourselves.
This book has so many intriguing bits, like sympathetic mad scientists reanimating the dead, nonsense worlds where children run on rainbows, and creepy underworlds where girls are rewarded for slowing the beating of their heart down to nearly nothing. There’s so much eye candy that it’s hard not to get swept up in the story.
At its core, this is a murder mystery, but the book is over before you know it. If I had any complaint at all, it’s that I would have loved to go deeper and have more glimpses of the lives these children led in their fantastic and horrific lands. And wouldn’t you know it, I’m going to get that chance, because the sequel, Down Among the Sticks and Bones, comes out in June.
We made it to week three of Warp Drives! In this episode, Dave and I attend John Scalzi’s reading at the University Bookstore in Seattle and talk about the story of the night John met his wife. We also got a sneak preview of the sequel to his novel Lock In, but you’ll have to buy a ticket to John’s reading to get the scoop on that book.
We also talk about John’s newest novel, The Collapsing Empire. It’s an action-packed mix of traditional space opera and new scifi sensibilities. (Like, oh I don’t know, maybe women get to kick ass AND they get to be bisexual!)
Dave also tries to figure out why I dislike The Expanse on television when it contains literally every element I love in a scifi show (#1: space!). I also come clean about “The Butter Incident” so I can continue with the episode with a clear conscience.
Warp Drives Episode #3: Scalzipalooza
On this week’s episode of Warp Drives, we talk about our favorite bits of Norwescon, Dave’s love of The Adventure Zone, and how impressed TJ was with the handling of disability and mental illness in Mishell Baker’s Borderline and Phantom Pains. We also talk about why three Guests of Honor withdrew from Odyssey Con this week and how women’s safety concerns aren’t taken seriously.
Warp Drives Episode #2: The Writing Pimp
What we’re talking about in this episode:
The Adventure Zone
K. Tempest Bradford – OdysseyCon and Why Serial Harassers Are Safe In Our Community
Natalie Luhrs – Odyssey Con Fucks Up But Good
Lincoln in the Bardo by George Saunders shot to the top of the bestseller lists. I wouldn’t say this is a fun book, but it is a thoughtful slog through grief and denial with a colorful cast of unforgettable characters.
Saunders’ unusual prose style is disorienting at first, but then makes complete sense as a style choice. Each character has a clearly unique voice. After a few chapters, it’s easy to tell who’s speaking, even without dialogue tags. The unique perspective of each character infused into their bit of the narrative was deftly done. And there’s so much history woven into the text that you’ll surely come away having learned a few things about Civil War-era life.
I really enjoyed Lincoln in the Bardo and it turns out that Megan Mullally and Nick Offerman also liked the story enough to buy the film rights.
Makeisha in Time by Rachael K. Jones (Crossed Genres) is from 2014 and I don’t know how I missed this short story back then, but wow, I’m glad I found it now. The story is fierce and thoughtful and brilliant while managing a complete character arc and a spot-on ending.
That John Scalzi, he sure can write dialogue. Hang on. Let me back up.
I’m going to sheepishly admit that I didn’t know John Scalzi had a new book coming out. Primarily because of my inability to read any publishing news and not due to any marketing failure on Tor’s part. Eh, I’m working on getting better at staying plugged in.
The first I heard about The Collapsing Empire was when word spread that one particular eye-rolling troll was attempting to diminish Scalzi’s book launch by excreting a pile of words under a similar name and cover design. So, of course, the only right plan of action was to immediately purchase Scalzi’s book in three different formats. (I read ebooks, Dave listens to audio on his long commute, and my little brother does paper copies.)
The Collapsing Empire is space opera at its modern finest. It’s fast and packed with intrigue without getting bogged down in political details. The concept of the Flow is both exotic and easy to understand. You don’t need a degree in astrophysics to follow the plot. And, as I said above, the snappy and true-to-life dialogue is a pleasure to read.
The entire cast of characters was realistic (even in extraordinary circumstances) and reflected the incredible breadth of cultures we would expect to find in a multi-planet civilization. And as a bisexual woman, it was amazing to see a strong character like Lady Kiva front and center. When she considered making a marriage of political convenience but couldn’t choose between a certain lord or a particular lady, I cheered. Why limit yourself when there’s so much awesomeness all over the gender spectrum?
You’re not going to find long, lush passages of description here. And that doesn’t make The Collapsing Empire a bad book. Because that’s not what this book is here for. You’re going to jump in fast and ride it hard like a bucking bronco. Or like Lady Kiva… *ahem* nevermind.